Films

The following is a current listing of films produced and/or distributed by International Film Foundation or Julien Bryan. Click on Search Films to search the film archive by name, crew or geographic location. Use the filtering links to reorder the films.

To see a listing of films available in DVD format, please click here. For our rate sheet, please click here.

 

Search Films
  • Argentine Primer

    Country: Argentina

    Date: 1940

    Running Time: 23 min.

    Credits

    Director: NA

    Cinematographer: Jules Bucher, March of Time

    An overview of Argentina designed to foster North American understanding of a potential friend or bitter rival of the U.S.in Western Hemisphere affairs.

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  • Artisans of Florence

    Country: Italy (Florence)

    Date: 1947

    Running Time: 21 min.

    Credits

    Director: Victor Vicas

    Cinematographer: Victor Vicas

    The great Florentine tradition of creativity and craftsmanship still flourishes against the background of the works and monuments of the past.

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  • Atacama Desert

    Country: Chile

    Date: 1943

    Running Time: 17 min.

    Credits

    Director: NA

    Cinematographer: Julien Bryan, William James

    Life and industry in the Atacama Desert of Northern Chile showing traditional and modern methods of mining copper, nitrate, and iron; desert nomads; and the towns of Chiuchiu, Andacoya, Antofagasta, and Tocopilla.

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  • Baking Oven Bread

    Country: Badakhstan (Northeastern Afghanistan)

    Running Time: 11 min.

    Credits

    Director: NA

    Cinematographer: Hermann Schlenker

    The Tajiks prepare their flat bread, using a somewhat different method from their Pushtu neighbors.

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  • Baking Unleavened Bread

    Country: Badakhstan (Northeastern Afghanistan)

    Running Time: 10 min.

    Credits

    Director: NA

    Cinematographer: Hermann Schlenker

    This useful film reveals in crisp detail the simple, but physically demanding domestic life of the nomadic Pushtu — no cleansers, no appliances, and no concern for “rough, red, hands.” The unveiled and weathered face of the Pushtu wife — cloaked in her traditional garment as she prepares and kneads the precious flour into dough — reflects the relentlessness of her environment.

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